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Inside Our Scary, Society-Destroying Family [CNN/InAmerica]
And so it has begun again, this time for the legalization of marriage for gays and lesbians in Washington state. The battle has occurred in the legislature and most likely will move to a general election. Again, sides have been chosen and a fair number of my fellow Christians have argued that my love, my family, undermines society by our very existence. While I strongly support marriage equality, the debate over the right for gays and lesbians to marry raises a much more pressing concern for me. Why do my Christian brothers and sisters feel so strongly that my love, my relationship, my family has the power to shred the fabric of our very society?

So I have to ask, do you know my family? We are not unlike many of you. We are a family formed from the foundational love of two people, formed through tentative steps, risks taken and hearts put on the line. We moved from the blush of first love to the challenges of living in union with each other while allowing the other the chance to grow and change. We failed as often as we succeeded, sometimes learning, sometimes not. We made the decision that we were called to be together for the rest of our lives. We shared sacred and holy (though not legal) vows in front of our God, our family and our friends. On that day, we danced in celebration with our community and we danced in celebration with our God.

At Plano Children’s Theatre, They’ve Shampooed All the Black Kids out of Hairspray [Dallas Observer]

So why do a show with black characters in it if you know going in that you won’t have any black kids to play them? Rodenbaugh had several answers about how much the kids wanted to do Hairspray, how they weren’t going to bow to “political correctness” and how “the parents expect this.”

They expect to see white kids playing black characters? “Yes,” said Rodenbaugh, who has kids in the cast of Hairspray, one of them playing Little Inez. He said PCT also did the musical Once on This Island with an all-white cast. (It’s an Ahrens and Flaherty show that’s basically Romeo and Juliet set in the French Antilles. It’s usually cast along racial lines, with black actors playing the peasants and Anglos playing the upper classes. There is a version of the show that removes references to skin color and makes the story about class differences. I don’t know if PCT did the latter.)

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